border authorities, but the nephew (who has been drinking, and knows his aunt is an unregistered worker) runs the border, is pursued, and leaves the nanny and children in the desert intending to return. Returning to America, they are properly questioned by U. But the sister cannot come, the nanny cannot find a substitute, and in desperation she gets her nephew ( Gael Garcia Bernal) to drive them all to the wedding. Susan has arranged for her sister to watch their children while the nanny ( Adriana Barraza) attends her son’s wedding. The American couple lives 45 minutes north of the Mexican border. As ripples from the original event spread wider, the original reality gets lost.
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The other tourists on the bus, led by an outraged Brit, insists on leaving the couple behind, in part because the bus driver insists on saving gas by not turning on the air conditioning - this in a land where the locals have no choice but to live with the heat. This becomes a worldwide news story, told in cable cliches. The Moroccan government refuses to send a helicopter because it insists it harbors no terrorists. Her husband Richard ( Brad Pitt) demands doctors, ambulances, helicopters, but has to settle for a friendly local man who takes Susan into his home and summons what the village has in the way of medical care.Īmerican authorities immediately brand the shooting as a terrorist act. Over a great distance, he childishly shoots at one with the other, and seriously wounds Susan ( Cate Blanchett), an American tourist. Two alien microbes come into his world: A high-powered rifle, and a tourist bus. He lives happily with his family, tends sheep, plays with his brother Ahmed. All of the characters in this film are carriers of cultural microbes.Ĭonsider the plight of Yussef (Boubker Ait El Caid), the Moroccan boy. Before our latest Mars probe blasted off, it was scrubbed to avoid carrying Earth microbes to the other planet. “Babel” could have been a routine recital of man’s inhumanity to man, but Inarritu, the writer-director, has something deeper and kinder to say: When we are strangers in a strange land, we can bring trouble upon ourselves and our hosts.
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The movie is not, as we might expect, about how each culture wreaks hatred and violence on another, but about how each culture tries to behave well, and is handicapped by misperceptions. Yes, but there is so much more to “Babel” than the through-line of the plot. Police enquiries about the Japanese businessman’s rifle lead to consequences for his disturbed daughter. The tourist’s Mexican nanny, in San Diego, is told to stay with their two children, but doesn’t want to miss her son’s wedding, and takes the children along with her to Mexico. The friend’s son shoots toward a tourist bus at a great distance. The guide sells the rifle to a friend, who needs it to kill the jackals attacking his sheep. A Japanese businessman goes on a hunting trip in Morocco, and tips his guide with a rifle. Without revealing too much, let me chronologically piece together the stories.
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And two of the five guys that got out of Bolivia alive that were with him in 1967. In an interview earlier this year, Soderbergh said, "We went to Cuba and met with Che's widow and her son.
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Now he'll produce, and The Thin Red Line 's Terrence Malick - a likewise legendary figure who has made but three films in 30 years - will direct. Reading Fear and Loathing in Las Vegas really stimulated my interest in books."Īnd then there is Traffic, Steven Soderbergh's masterful, multitiered drug saga, nominated for five Academy Awards.ĭel Toro and Soderbergh plan to work again, on Che, about the Cuban revolutionary Ernesto "Che" Guevara. "And the fact that, from that movie, I started reading much more. Thompson," says Del Toro, who is hoping to direct another Thompson work, The Rum Diary. Thompson odyssey, in which Del Toro plays Dr. There is 1998's Fear and Loathing in Las Vegas, Terry Gilliam's hallucinogenic adaptation of the crazed Hunter S. And for the fact that I got to work with a director who gave me a lot of freedom with that character." The actor counts three films as pivotal, personally and professionally, in his career: Bryan Singer's The Usual Suspects, in which Del Toro played the mumbling, disheveled Fred Fenster, "for the fact that it was a movie that was just the ultimate dark horse. By doing nothing, he speaks with his eyes, and a lot of things are going on." You can see a lot of things going on in him just by putting the camera in front of his face. "One of the most important things in an actor is their interior life, and Benicio has a deep one.